Sculpture since 1945 Oxford History of ArtOxford University Press #ad - The holistic picture of post-war sculpture which emerges in Sculpture Since 1945 establishes for the first time key events and themes around which future debate will center. He also explores the use of everyday objects and the importance of sculptural context, discussing figurative and non-figurative works, installation, Earth art, landscape sculpture, Minimalism, experimental form, Anti-form, and performance art.
In over 130 beautiful illustrations, the marketplace, commissions, festivals, Causey examines innovative and avant-garde works in relation to contemporary events, and the changing functions of museums. In sculpture since 1945, andrew Causey provides a ground-breaking account of the development of post-War sculpture.
Sculpture since 1945 Oxford History of Art #ad - A final chapter brings the discussion of sculpture right up to the present day by examining sculpture since 1980 Since 1945 the modern revolution in sculpture has gathered pace, and even the term sculpture has ceased to be the fixed category it once was. Oxford university Press USA.
Sculpture TodayPhaidon Press #ad - Oxford university Press USA. Illustrated with almost five hundred images, offers a survey of the art of sculpture from the 1960s to the present day. Phaidon Press.
Sculpture Now World of ArtThames & Hudson #ad - Identifying the key trends, Anna Moszynska discusses the artists who are forging new paths and setting the contemporary agenda. An authoritative, highly readable new survey that reveals the great diversity and energy within sculptural practice today Here are the most exciting developments in sculpture across the globe since the mid-1990s.
Thames Hudson. 200 color illustrations Oxford university Press USA. She examines major shifts that have taken place in the last two decades, including the move from a concern with the discrete object to the more complicated and dynamic relationships found in installation-based practice, as well as the increased concern with the experiential nature of sculpture and the participatory role of the viewer.
Sculpture Now World of Art #ad - The world’s most promising new talent is discussed alongside established contemporary artists including Cai Guo-Qiang, Isa Genzken, Gabriel Orozco, Jake and Dinos Chapman, James Turrell, Doris Salcedo, Mike Kelley, Maurizio Cattelan, Thomas Hirschhorn, Bruce Nauman, Christian Marclay, and Ai Weiwei.
The Elements of SculpturePhaidon Press #ad - The Elements of Sculpture #ad - The ultimate viewer’s guide to experiencing art in three dimensions, featuring classical Greek sculpture and Baroque marble carvings alongside works by Rodin, Duchamp, and Felix Gonzalez‐Torres. In the elements of sculpture, author herbert george – a sculptor, renowned educator, and Getty Museum fellow – provides readers with a new vocabulary for viewing and discussing this versatile art form.
The elements of Sculpture. Phaidon Press. Thames Hudson. Oxford university Press USA.
Sculpture Since 1945 Oxford History of ArtOxford University Press #ad - Since 1945 the modern revolution in sculpture has gathered pace, and even the term sculpture has ceased to be the fixed category it once was. Oxford university Press USA. The holistic picture of post-war sculpture which emerges in Sculpture Since 1945 establishes for the first time key events and themes around which future debate will center.
The elements of Sculpture. Thames Hudson. A final chapter brings the discussion of sculpture right up to the present day by examining sculpture since 1980 Phaidon Press. He also explores the use of everyday objects and the importance of sculptural context, Minimalism, experimental form, Anti-form, Earth art, discussing figurative and non-figurative works, landscape sculpture, installation, and performance art.
Sculpture Since 1945 Oxford History of Art #ad - In over 130 beautiful illustrations, festivals, commissions, the marketplace, Causey examines innovative and avant-garde works in relation to contemporary events, and the changing functions of museums. In sculpture since 1945, andrew Causey provides a ground-breaking account of the development of post-War sculpture.
Materiality Whitechapel: Documents of Contemporary ArtThe MIT Press #ad - Thames Hudson. And it looks at the ways in which materials obstruct, disrupt, emerging as impure formations and messy, or interfere with social norms, unstable substances. Mit Pr. Modernist criticism tended to privilege form over matter―considering material as the essentialized basis of medium specificity―and technically based approaches in art history reinforced connoisseurship through the science of artistic materials.
Phaidon Press. Essays consider recent artistic and critical approaches to materiality, focusing on the moments when materials become willful actors and agents within artistic processes. Materiality has reappeared as a highly contested topic in recent art. But in order to engage critically with the meaning, for example, of hair in David Hammons's installations, milk in the work of Dieter Roth, or latex in the sculptures of Eva Hesse, we need a very different set of methodological tools.
Materiality Whitechapel: Documents of Contemporary Art #ad - This anthology focuses on the moments when materials become willful actors and agents within artistic processes, entangling their audience in a web of connections. Amato, tim ingold, dietmar rübel, jean-françois lyotard, dieter hoffmann-axthelm, judith butler, Julia Kristeva, Georges Didi-Huberman, Wolfgang Kemp, Jens Hauser, Esther Leslie, Karen Barad, Elizabeth Grosz, Natasha Eaton, Monika Wagner, Gillian Whiteley Oxford university Press USA.
It investigates the role of materiality in art that attempts to expand notions of time, space, process, or participation. The elements of Sculpture. It reexamines the notion of “dematerialization”; addresses materialist critiques of artistic production; surveys relationships between matter and bodies, from the hierarchies of gender to the abject and phobic; explores the vitality of substances; and addresses the concepts of intermateriality and transmateriality emerging in the hybrid zones of digital experimentation.
Passages in Modern SculptureThe MIT Press #ad - Oxford university Press USA. Studies major works by important sculptors since Rodin in the light of different approaches to general sculptural issues to reveal the logical progressions from nineteenth-century figurative works to the conceptual work of the present. Phaidon Press. Thames Hudson. Mit Pr. Softback.
The elements of Sculpture.
Conversations on Sculpture Perspectives in Contemporary SculptureUniversity of Washington Press #ad - Softback. Thames Hudson. Phaidon Press. Mit Pr. Oxford university Press USA. The book includes an introduction by Robert Hobbs, discussing the sculptors interviewed and also the value of the interview format in exploring contemporary art and artists. The elements of Sculpture. There are full-color illustrations throughout.
The second book in the "perspectives on contemporary sculpture" series from the newly inaugurated ISC Press, James Turrell, Wolfgang Laib, Mario Merz, Liza Lou, Maya Lin, Xu Bing, Maurizio Cattelan, Richard Tuttle, Conversations on Sculpture includes interviews with Richard Serra, Richard Deacon, and other prominent and emerging artists from the U.
Conversations on Sculpture Perspectives in Contemporary Sculpture #ad - S. China, the U. K. Portugal, italy, poland, cuba, nigeria, Germany, Belgium, the Netherlands, Spain, Argentina, Korea, Brazil, and Ghana. The two volumes, a sculpture reader and Conversations on Sculpture, new media, installation art, are an invaluable history of contemporary sculpture, and public art. A unique collection of interviews with contemporary sculptors drawn from the 25-year history of Sculpture magazine, Conversations on Sculpture offers a valuable overview of three-dimensional art at the end of the twentieth century and the beginning of the twenty-first century.
. The 43 interviews in Conversations on Sculpture capture the wide-ranging possibilities that characterize contemporary sculpture.
The Object Whitechapel: Documents of Contemporary ArtThe MIT Press #ad - Among the topics it examines are the relation of the object to subjectivity; distinctions between objects and things; the significance of the object's transition from inert mass to tool or artifact; and the meanings of the everyday in the found object, loss in the absent object, repetition in the replicated or multiple object, and abjection in the formless or degraded object.
This anthology surveys such reappraisals of what constitutes the “objectness” of production, with art as its focus. The elements of Sculpture. Phaidon Press. Discussions of the object as a key to understanding central aspects of modern and contemporary art. Artists increasingly refer to “post-object-based” work while theorists engage with material artifacts in culture.
The Object Whitechapel: Documents of Contemporary Art #ad - It also explores artistic positions that are anti-object; theories of the experimental, liminal or mental object; and the role of objects in performance. Artists surveyed includegeorges adéagbo, gruppe geflecht, josef strau, claude closky, eva rothschild, brian collier, fischli & weiss, alina szapocznikow, antje majewski, kenneth Snelson, Joëlle Tuerlinckx, Aura Satz, Gabriel Orozco, Luca Frei, Falke Pisano, Iain Baxter, Meschac Gaba, Eva Hesse, Adrian Piper, Jimmie Durham, John Latham, Lygia Clark, Pavel Büchler, Isa Genzken, Mike Kelley, Gustav Metzger, Hito Steyerl, Art in Ruins, Cady Noland, Louise Bourgeois, Erwin WurmWriters include Homi K.
. A focus on “object-based” learning treats objects as vectors for dialogue across disciplines. Thames Hudson.